After breakfast, he walked with the duchess for an hour in the garden and then drove across the park to join the shooting-party. The crisp frost lay like salt upon the grass. The sky was an inverted cup of blue metal. A thin film of ice bordered the flat, reed-grown lake.

At the corner of the pine-wood he caught sight of Sir Geoffrey Clouston, the duchess’s brother, jerking two spent cartridges out of his gun. He jumped from the cart, and having told the groom to take the mare home, made his way towards his guest through the withered bracken and rough undergrowth.

“Have you had good sport, Geoffrey?” he asked.

“Not very good, Dorian. I think most of the birds have gone to the open. I dare say it will be better after lunch, when we get to new ground.”

Dorian strolled along by his side. The keen aromatic air, the brown and red lights that glimmered in the wood, the hoarse cries of the beaters ringing out from time to time, and the sharp snaps of the guns that followed, fascinated him and filled him with a sense of delightful freedom. He was dominated by the carelessness of happiness, by the high indifference of joy.

Suddenly from a lumpy tussock of old grass some twenty yards in front of them, with black-tipped ears erect and long hinder limbs throwing it forward, started a hare. It bolted for a thicket of alders. Sir Geoffrey put his gun to his shoulder, but there was something in the animal’s grace of movement that strangely charmed Dorian Gray, and he cried out at once, “Don’t shoot it, Geoffrey. Let it live.”

“What nonsense, Dorian!” laughed his companion, and as the hare bounded into the thicket, he fired. There were two cries heard, the cry of a hare in pain, which is dreadful, the cry of a man in agony, which is worse.