I departed, obeying his directions.

“Enough!” he called out in a few minutes. “You play a little, I see; like any other English school-girl; perhaps rather better than some, but not well.”

I closed the piano and returned. Mr. Rochester continued—

“Adèle showed me some sketches this morning, which she said were yours. I don’t know whether they were entirely of your doing; probably a master aided you?”

“No, indeed!” I interjected.

“Ah! that pricks pride. Well, fetch me your portfolio, if you can vouch for its contents being original; but don’t pass your word unless you are certain: I can recognise patchwork.”

“Then I will say nothing, and you shall judge for yourself, sir.”

I brought the portfolio from the library.

“Approach the table,” said he; and I wheeled it to his couch. Adèle and Mrs. Fairfax drew near to see the pictures.

“No crowding,” said Mr. Rochester: “take the drawings from my hand as I finish with them; but don’t push your faces up to mine.”

He deliberately scrutinised each sketch and painting. Three he laid aside; the others, when he had examined them, he swept from him.

“Take them off to the other table, Mrs. Fairfax,” said he, “and look at them with Adèle;—you” (glancing at me) “resume your seat, and answer my questions. I perceive those pictures were done by one hand: was that hand yours?”

“Yes.”

“And when did you find time to do them? They have taken much time, and some thought.”

“I did them in the last two vacations I spent at Lowood, when I had no other occupation.”

“Where did you get your copies?”

“Out of my head.”

“That head I see now on your shoulders?”